Soheil Shirangi
Born on December 5, 1987, in Gorgan, Iran, Soheil Shirangi is a composer, pianist, researcher, and music educator with over fourteen years of experience in teaching and creating music. He holds a Master of Music in Composition from San Francisco State University, where he also served as a Graduate Assistant. He is an active member of the National Association of Composers, USA (NACUSA). His career includes numerous international accolades and collaborations in contemporary, classical, electroacoustic, and experimental music, with performances and artistic activities across Iran, Greece, Italy, Brazil, Germany, Romania, Argentina, and the United States.
As the Founder and Artistic Director of Dream House Ensemble, he has promoted contemporary music performance and interdisciplinary artistic collaboration in Tehran and internationally while mentoring students in piano, composition, and music theory. His artistic and academic work has been recognized through awards, scholarships, performances, publications, and presentations at international festivals, universities, and contemporary music conferences. His work frequently explores intersections between Persian musical aesthetics, microtonality, electroacoustic practice, and intercultural contemporary composition.
Education, Courses, and Workshops
2025–2026 – Specialized Composition Course, San Francisco State University, with Professor Rossen
2024 – Private Composition Studies, San Francisco State University, with Professor Benjamin Sabey
2024–2025 – Specialized Article Research Course, San Francisco State University, with Dr. Paul Ellison
2021 (May) – Participated in the Really Spicy Opera Workshop, writing an aria for soprano
2020 (August) – Opportunity for writing solo work with Wichita Symphony Workshop
2019 (August) – Scholarship holder at the Hamburg Media Festival, participating in classes and workshops on film music, advertising music, game music, and sound design, Hamburg, Germany
2018 – Contemporary Music Center Master Class with Professor Dimitri Papageorgiou at Tehran University, Tehran, Iran
2018 – Electronic Music Master Class with Professor Joachim Heintz at Tehran University, Tehran, Iran
2015 – Modern composition courses with Professor Nader Mashayekhi at Mohammad Esmaeili Institute, Tehran, Iran
2014 – Conducting courses with Shahrdad Rohani at Pars Institute, Tehran, Iran
2014 – Studied composition (harmony, counterpoint, form, and analysis) with Ardavan Vosoughi, Tehran, Iran
2013–2014 – Graduated from Tehran Conservatory in Music Player Course, Tehran, Iran
2014 – Completed orchestration course with Mitriau Vadim (Tchaikovsky Conservatory), Tehran, Iran
2014 – Attended classical vocal course with Mitriau Vadim (Tchaikovsky Conservatory), Tehran, Iran
2013 – Participated in piano course with Valentin Rokamanykvf (Tchaikovsky Conservatory), Tehran, Iran
2010 – Studied piano with Bahram Dehghanyar, Tehran, Iran
1999 – Began studying music (guitar) with Hossein Tavasolinia in Gorgan, Iran
Teaching Experience
Graduate Assistantship, San Francisco State University (Spring 2026)
Assisted in MUS 232: Diatonic Harmony under Professor Benjamin Sabey
Graduate Assistantship, San Francisco State University (Fall 2025)
Assisted in MUS 403: Chromatic Harmony under Professor Benjamin Sabey
Graduate Assistantship, San Francisco State University (Spring 2025)
Assisted in MUS 370: Open Ensemble and MUS 420: Twentieth-Century Techniques under Professor Benjamin Sabey
Assisted in MUS 232: Diatonic Harmony under Professor Jono Kornfeld
Instructor in Piano, Composition, and Music Theory (2010–Present)
Taught at music academies in Tehran, including Nogah, Jam, and Samin Academy
Provided comprehensive training in piano performance, composition, music theory, harmony, and counterpoint
Privately mentored students, preparing them for competitions and professional performances while fostering both technical mastery and artistic expression
Leadership Roles
Founder & Artistic Director, Dream House Ensemble (2018–Present)
Focused on performing contemporary compositions and interdisciplinary contemporary music projects in Tehran and internationally
Member and Supervisor, Iran Philharmonic Choir (2016–2023)
Supervisor of the Bass Ensemble since 2019
Manager, Parsik Ensemble (2012–2016)
Managed a multi-genre ensemble featuring piano, strings, percussion, and traditional Iranian instruments
Awards, Recognitions, and Scholarships
2026
Recipient of a Scholarship, San Francisco State University
Recipient of the Deborah L. Larson Memorial Endowed Scholarship in Music
2025
Recipient of a Scholarship, San Francisco State University
Recipient of the Kyriakos Karababas Memorial Scholarship
2024
Scholarship Recipient, San Francisco State University
Recognition for Participation, MUSLAB International Electroacoustic Music Exhibition, Prometeo Theater, Quito, Ecuador
2022
Second Place, CBU University Composition Scholarship for Samat (Duet for Violin and Cello)
Recognition for Participation, Alfred Schnittke Akademie International
2020
Third Place, Orginsky International Composition Competition for Orchestra, Belarus
2019
Recognition for Performance as Artistic Director of Dream House Ensemble, 4th Tehran Contemporary Music Festival
Scholarship Holder, Hamburg Media Festival
2018
Best Composer Nominee, 33rd Fajr Music Festival
Diploma Recipient, III International Contest of Choral Composing (A. D. Kastalsky)
Recognition for Participation, SIMN Festival, Curitiba Theater, Paraná, Brazil
2017
Second Place, Tehran International Electronic Music Festival
Affiliations
Since 2024 – Member of the National Association of Composers, USA (NACUSA), including the San Francisco Chapter
Since 2016 – Member of Iran’s House of Music Composers and the Contemporary Music Center
Performance Works
2026
May 24, 2026 – Amor Fati (for Orchestra) performed by the Golden Gate Symphony Orchestra alongside works by Vivaldi, Carl Orff, and contemporary composers at Benicia Clock Tower, Northern California
March 8, 2026 – Elegy for the Silent Days (for Flute, Clarinet, Violin, Cello, and Piano) performed by Black Box Ensemble at San Francisco State University
2025
August 18, 2025 – How Much – How Little (for Baritone and Electronics) performed by Andrew White (baritone) and David Wolfson (piano) at The Ellington Room, Manhattan Plaza, New York City
August 8, 2025 – Ahimsa (for Solo Organ) performed by David Bohn at Ozaukee Congregational Church, Grafton, Wisconsin, as part of the Organ Historical Society 2025 National Convention
May 12, 2025 – Amor Fati (for Orchestra) read by the San Francisco State University Orchestra, conducted by Zakarias Grafilo at Music Hall
May 5, 2025 – The Shadows (for Electroacoustic, Piano, Baritone, Alto, Trombone, and Flute) performed by Soheil Shirangi, Rafael Rodriguez, and Jess Getter at Knuth Hall, San Francisco State University
April 27, 2025 – Navaye Mahzoon (Solo Piano No. 3) performed by Soheil Shirangi at the NACUSA event, Center for New Music, San Francisco
April 15, 2025 – String Quartet No. 3 (First Movement) read by Mivos Ensemble at San Francisco State University
April 14, 2025 – The Vital Sounds (for Fixed Media and Accordion) introduced in Radiophrenia
April 13, 2025 – When Words Live (2025) for amplified voice and electronics performed by Yifan Shao as part of the 2025 Vocalverse repertoire at the San Francisco Conservatory of Music, Caroline H. Hume Concert Hall
April 4, 2025 – Eshareh (for Flute and Fixed Media) introduced and performed by Lisa Bost-Sandberg as part of the Fifteen-Minutes-of-Fame concert series by Vox Novus
2024
December 6, 2024 – Dyslexia (for Microtonal E-Piano) performed at the Instruments Symposium, Organon Research Group, University of Music and Performing Arts Graz, Austria
December 2–6, 2024 – Hypothesis No. 2 performed at the MUSLAB International Electroacoustic Music Exhibition, Prometeo Theater, Quito, Ecuador
September 14, 2024 – Maasoo (for Saxophone Quartet) performed at Brand Library Recital Hall by TC4 Ensemble
June 8, 2024 – Maasoo (for Saxophone Quartet) introduced by TC4 Ensemble in the online Composer’s Voice project
June 1, 2024 – Katibeh (Duet for Flute and Guitar) performed by Hossein Ebadollahi (flute) and Bence Hartl (guitar), recorded at Alpo Studio
January 2, 2024 – Rahe Rastgari (for Soprano, Alto, Baritone, and Piano) performed in four movements at the opening of Toorandokht Festival, Ghalam Hall, Iranian Book, Tehran, Iran
2023
October 27, 2023 – Homeland (for Fixed Media) performed in the virtual section of the 7th Annual Research Conference on Contemporary Composition at the University of North Georgia
March 22, 2023 – Samat (Duet for Violin and Cello) featured in Steve Danielson Radio’s Composer Works Program
March 1, 2023 – Navaye Mahzoon (Solo Piano No. 3) performed by Soheil Shirangi at Saba Studio, Tehran, Iran
January 28, 2023 – Samat (Duet for Violin and Cello) performed by Brian Bromberg and Oliver Page
2022
July 2, 2022 – Short Etude for Solo Piano performed by Roxana Baldor at La Scala de San Telmo, Buenos Aires, Argentina
May 24, 2022 – Doubt (for Flute and Piano) performed by Meysam Ghdrati and Siavash Damirian at the Music Museum of Iran
April 19, 2022 – Crossing on the Way East (for Piano and Duduk), collaborative work with Thomas Piercy, performed at New York Opera Studio
April 16, 2022 – The Collection of Suspension (Suspension No. 1 + 2 + 3) performed in Averill Park, New York, USA, at the first Arts Letters & Numbers event of the spring
2021
December 31, 2021 – Ghased (for Tenor and Piano) performed by Rashid Vatandust at Saba Studio, Tehran, Iran
December 29, 2021 – Abandoned Land (for Cello and Fixed Media) performed by Ulrike Brand
November 21, 2021 – Suspension No. 1 (for Accordion and Fixed Media) performed at Audiovisual Frontiers (Virtual Exhibition), University of California, Riverside
November 18, 2021 – ROJA (for Solo Tenor Saxophone) performed during Fifteen-Minutes-of-Fame featuring saxophonist Drew Joseph Hosler
November 5, 2021 – Samat (Duet for Violin and Cello) performed by Ali Jafari Pouyan and Mehrdad Alami at Saba Studio, Tehran, Iran
October 30, 2021 – Miniatur No. 1 (for Solo Cello) performed at the University of North Georgia by Esther Morgan-Ellis
July 21, 2021 – Karma (for Piccolo and Flute) performed at New Music for Piccolo and Flute by Beth Ratay
July 7, 2021 – Trauma (for Accordion and Two Cellos) broadcast by ArpaViva Music from Glasgow, Scotland
June 22, 2021 – Short Etude for Solo Piano performed by Roxana Baldor in Concert Hall, Argentina
June 16, 2021 – Your Concept (for Piano, Electronics, and Spoken Words) performed during Suoni Per Il Popolo Festival by Anoush Moazzeni
June 3, 2021 – I Brought a Pie Aria (for Soprano and Piano) performed by Bree Nichols and Warren Kim at The Really Spicy Opera Program
April 15, 2021 – Solo Piano No. 1 performed by Soheil Shirangi at Saba Studio, Tehran, Iran
March 27, 2021 – Short Whisper (for Solo Bass Flute) performed in the Fifteen-Minutes-of-Fame project by Lisa Cella at the University of Baltimore Concert Hall
February 5, 2021 – Mehre Penhan (for A Cappella Choir) performed by Iran Philharmonic Choir at Saba Studio, Tehran, Iran
January 2021 – Lament for Theodore (for Solo Bass Flute) performed and recorded in the Phasma Recital Project by Iwona Glinka, Athens, Greece
2020
October 11, 2020 – The Hypothesis No. 2 (for Fixed Media) broadcast on Radio Kapital, Poland
October 5, 2020 – The Childhood Dream (for Toy Piano) performed by David Bohn, Milwaukee, Wisconsin, USA
September 25–26, 2020 – The Hypothesis No. 2 (for Fixed Media) performed at the 38th International Conference of the World Confederation of Electroacoustic Music, online from the Polish Academy of Music, Krakow
August 16 & September 20, 2020 – Miniatur No. 3 (for Solo Violin) performed online by Holly Mulcahy as part of the Wichita Symphony Orchestra Project
May 26, 2020 – The Vital Sounds (for Fixed Media and Accordion) released in collaboration with Lake Radio
April 2020 – Suspension No. 1 (for Accordion and Fixed Media) performed by French artist Benoit Ray in a collaborative online project
February 2020 – Summer (Fixed Media) performed at Afarinesh Gallery as part of the After the Descent Project, Isfahan, Iran
2019
November 16, 2019 – Music on Mohammad Azarm Poems performed with Dream House Ensemble at Sound Project No. 5, Emarat Ruberu, Tehran, Iran
July 27, 2019 – Homeland (for Fixed Media) performed by Yarava Group at the closing of the 3rd International Tehran Electronic Music Festival, Tehran University, Tehran, Iran
June 20, 2019 – Indemnity (for Two Accordions and Fixed Media) performed by Dream House Ensemble at the Fourth Contemporary Music Festival, Tehran, Iran
June 14, 2019 – Derealization (for Marimba and Bass Clarinet) premiered by Transient Canvas at Longy School of Music Conservatory Hall, Cambridge, Massachusetts, USA
May 2019 – The Remarks No. 4 (for Solo Flute) recorded and performed in the Phasma Recital Project by Iwona Glinka, Athens, Greece
March 6, 2019 – The Faulty Sequence No. 2 (for Solo Harp) performed by Olivia Jageurs in a collaborative online project
January 11, 2019 – The Hypothesis No. 1 (for Fixed Media) performed by Dream House Ensemble at Niavaran Hall, Tehran, Iran
2018
December 5, 2018 – Trauma (for Accordion and Two Cellos) performed by Icon Art Trio at Thalia State Philharmonic Hall, Transylvania, Romania
November 23, 2018 – Suspension No. 2 (for Electronic Voices and Prepared Piano) performed at Sprengel Museum, Hannover, Germany
September 19, 2018 – The Hypothesis No. 3 (for Multi-Channel Electronics) performed at SIMN Festival, Curitiba, Paraná, Brazil
June 22, 2018 – Suspension No. 2 (for Electronic Voices and Prepared Piano) performed at the Body, Light, Sound Festival, Luigi Cherubini Conservatory, Florence, Italy
April 27, 2018 – The Faulty Sequence No. 1 (for Electroacoustic) performed at the Third Contemporary Music Festival, Tehran, Iran
April 22, 2018 – Suspension No. 2 (for Electronic Voices and Prepared Piano) performed at Off Borders Festival, Thessaloniki, Greece
February 21, 2018 – The Remarks No. 3 (for Solo Bass Flute) performed by Daniela Mars in a collaborative online project
2017
September 2, 2017 – Suspension No. 2 (for Electronic Voices and Prepared Piano) performed by Professor Joachim Heintz at Da Hall, Tehran, Iran
2016
September 1, 2016 – String Quartet No. 1 and String Quartet No. 2 performed by A4 Ensemble at Tehran Book Store, Tehran, Iran
2013
September 1, 2013 – My House Is Cloudy performed by Parsik Ensemble at Jamejam Studio, Tehran, Iran
Performances
2025
December 6, 2025 – Performed as pianist and leader with Dream House Ensemble at the 3rd Contemporary Music Magazine Festival at the Tehran Music Museum, presenting Accords of Our Time No. 1 & No. 2 by Idin Samimi Mofakham
May 5, 2025 – Performance of The Shadows (for Electroacoustic, Piano, Baritone, Alto, Trombone, and Flute) with Rafael Rodriguez and Jess Getter at Knuth Hall, San Francisco State University
April 27, 2025 – Performance of Navaye Mahzoon (Solo Piano No. 3) at the NACUSA event, Center for New Music, San Francisco
2023
March 8, 2023 – Performance of Ave Maria by Giulio Caccini with Elmira Bagheri at Saba Studio, Tehran, Iran
March 1, 2023 – Performance of Navaye Mahzoon (Solo Piano No. 3) at Saba Studio, Tehran, Iran
2022
July 8, 2022 – Performance with Dream House Ensemble at the First Contemporary Music Magazine Festival at Tehran Music Museum Hall
April 19, 2022 – Performance of Crossing on the Way East (for Piano and Duduk), collaborative work with Thomas Piercy, at New York Opera Studio
April 16, 2022 – Performance of Suspension Collection (Suspension No. 1, 2, and 3) at Averill Park, New York, during the first Arts Letters & Numbers event of the spring
2021
December 31, 2021 – Piano performance of original work Ghased at Saba Studio
December 4, 2021 – Rehearsal and recording of The Cause of My Existence at Sorena Hall, Tehran, based on text by Ai Weiwei translated by Ali Ghanbari
May 28, 2021 – Recording with Dream House Ensemble for the Variations Theme album at Saba Studio, Tehran, based on texts by John Cage translated by Ali Ghanbari
April 15, 2021 – Solo piano performance of Solo Piano No. 1 at Saba Studio
April 15, 2021 – Solo piano performance of Für Alina (1976) by Arvo Pärt at Saba Studio
2020
September 26, 2020 – Recording with Dream House Ensemble of part of the film score Koyaanisqatsi (1982) by Philip Glass
February 22, 2020 – Performance with the Iran Philharmonic Choir at Samandarian Hall, Tehran, Iran
2019
November 16, 2019 – Performance with Dream House Ensemble in the fifth project of EMARAT ROOBEROO, Tehran, based on poems by Mohammad Azarm
July 20, 2019 – Performance with Dream House Ensemble at the 3rd Tehran Electronic Music Festival featuring works by Karlheinz Stockhausen
June 21, 2019 – Performance with Dream House Ensemble at the 4th Tehran Contemporary Music Festival featuring works by John Cage and Christian Wolff
June 8, 2019 – Performance with Dream House Ensemble of Terry Riley’s works at Day Show House in collaboration with Yarava Music Group
May 2019 – Performance of Requiem by Antonín Dvořák with the Iran Philharmonic Choir at Vahdat Hall, Tehran, Iran
February 22, 2019 – Performance with Dream House Ensemble of works by La Monte Young at Gallery No. 14, Tehran
January 11, 2019 – Performance with Dream House Ensemble for the second project entitled Fixed Sounds at Niavaran Cultural Center Gallery, Tehran, featuring works by John Cage, La Monte Young, and contemporary Iranian composers
2018
December 13, 2018 – Performance with Dream House Ensemble in the first presentation of The Indefinites by John Cage at Ace Gallery, Tehran
November 2018 – Performance at Sprengel Museum, Hannover, Germany
January 2018 – Performance with the Iran Philharmonic Choir at the Fajr Ceremony, Vahdat Hall, Tehran, Iran
2017
September 2017 – Performance with the Iran Philharmonic Choir at the Samandarian Ceremony, Iranshahr Hall, Tehran, Iran
August 2017 – Performance of Mozart’s Mass Missa Longa with the Iran Philharmonic Choir at Rudaki Hall, Tehran, Iran
February 2017 – Performance with the Iran Philharmonic Choir at Milad Hall, Tehran, Iran
January 2017 – Performance with the Iran Philharmonic Choir at Vahdat Hall, Tehran, Iran
2016 and Before
September 2016 – Performance with A4 Ensemble at Bufeketab, Tehran, Iran
October 2013 – Performance with Parsik Ensemble at Jamejam, Tehran, Iran
Articles & Presentations
Google Scholar Profile
A collection of published research, articles, and academic contributions is available at:
https://scholar.google.com/citations?user=aANsJsYAAAAJ&hl=en
Analysis: Symphony No. 3 (First Movement) by Henryk Górecki and Sonata Op. 2 No. 3 (First Movement) by Beethoven
Friday, May 22, 2026 — San Francisco State University, Master’s Graduation Presentation Analysis
Analysis of Shiraz by Claude Vivier
Wednesday, May 13, 2026 — San Francisco State University, MUS 403 Composition Studio Seminar
Analysis of Poème Électronique by Edgard Varèse
Wednesday, November 19, 2025 — San Francisco State University, MUS 716 Graduate Theory Seminar
Analysis of Stimmung by Karlheinz Stockhausen
Wednesday, October 15, 2025 — San Francisco State University, MUS 716 Graduate Theory Seminar
Beyond the Octave: The Influence of Non-Western Tuning Systems on Western Contemporary Music
Publication: Published in Volume VI of Mackingerverlag (April 2026)
Presented during Day 1 of the VI International Symposium: Mikrotöne – Small Is Beautiful
Date: Wednesday, July 2, 2025 — Online presentation
Hosted by Mozarteum University Salzburg / Sacellum Church
Beyond the Octave explores how non-Western tuning systems, particularly those derived from Persian and modal traditions, have influenced Western contemporary music. The paper examines intersections between microtonality, timbre, and cultural expression while exploring how cross-cultural engagement reshapes modern compositional thought.
Analysis of Prélude à l’après-midi d’un faune by Claude Debussy
Wednesday, April 30, 2025 — San Francisco State University, Music 710
Analysis of Piano Concerto No. 3 in C minor by Ludwig van Beethoven
Wednesday, February 19, 2025 — San Francisco State University, Music 710
“Resonance of Worship”: Religious Themes in William Byrd’s Sacred and Secular Music (2025)
Supervisor: Dr. Paul Ellison
Graduate Student: San Francisco State University
Published on December 24, 2025, in eScholarship, UCLA Library, Walter H. Rubsamen Music Library Collection:
https://escholarship.org/uc/item/45f1r181
Presented on Thursday, May 15, 2025 — San Francisco State University, MUS 751: The Graduate Renaissance Seminar
“It’s Better Not to Know About a Work of Art Before Encountering It” (2024)
Supervisor: Dr. Paul Ellison
Graduate Student: San Francisco State University
Published on February 11, 2025, in eScholarship, UCLA Library, Walter H. Rubsamen Music Library Collection:
https://escholarship.org/uc/item/75x1h1xz#main
Presented on Thursday, December 5, 2024 — San Francisco State University, Music 700
Presented on Saturday, November 9, 2024 — 3rd Conference of the Center for Electroacoustic Music (CEAM), Moscow Tchaikovsky Conservatory
Katibeh (Duet for Flute and Guitar)
Year of Creation: Spring 2014
Rewrite & Final Edit: 2024
Performers: Flute — Hossein Ebadollahi • Guitar — Bence Hartl
Recorded at Alpo Studio by Maziar Bababashi
Katibeh (meaning “inscription”) is inspired by the poetic world of Mehdi Akhavan Sales. The work translates the imagery and emotional depth of his poetry into a musical dialogue between flute and guitar.
Published on February 1, 2025, in eScholarship, UCLA Library, Walter H. Rubsamen Music Library, Contemporary Music Score Collection:
https://escholarship.org/uc/item/8f508174
List of Published Works
Albums
2025
Stimmung by Karlheinz Stockhausen — Published by Raha Records. Released as Dream House Ensemble’s third independent album. Directed and performed with Dream House Ensemble.
2024
Politics-Aesthetics No. IV: The Plays — Produced by Post Orientalism Music and published by Noise à Noise in Berlin, Germany
Radif of Iranian Music: Skepticism No. 1 — Produced and published by Post Orientalism Music in Berlin, Germany
2023
Sonorystyka No.1 — Published by Contemporary Avaye Pezhvak in Tehran, Iran, and Noise à Noise in Berlin, Germany. Directed and performed with Dream House Ensemble
2022
Themes and Variations — Published by Noise à Noise in Berlin, Germany. Directed and performed by Dream House Ensemble as pianist
2021
Maelstrom (collaborative album with Shervin Abbasi) — Published by ArpaViva Music
2016
Image — Released by Pardis Contemporary Music Publishing Company
Single Tracks
2025
Solo Piano No. 1 — Published in the Second Festival of Arts Nowruz by Post Orientalism Music in Berlin, Germany
Two tracks in the album Post-Orientalism Anthology: Sonitus Vol. 2 — Published by Post Orientalism Music
One track in Post-Orientalism Anthology: Sonitus Vol. 3 — Published by Post Orientalism Music
One track in Post-Orientalism Anthology: Sonitus Vol. 4 — Published by Post Orientalism Music
2023
Mehre Penhan (for A Cappella Choir, based on a ghazal by Rumi) — Performed by Iran Philharmonic Choir; published by Javan Publishing, Tehran, Iran
To Cheraghe Khod Barafruz (for vocal, string quartet, and piano, based on a poem by Rumi) — Published by Zang Records, California, USA
2022
Ghased (for tenor and piano, based on a ghazal by Hafez, performed by Rashid Vatandust) — Published by Zang Records, California, USA
Visions of Darkness Volume II (electroacoustic collection by Iranian composers) — Published by Cold Spring Records
2021
Lament for Theodore (album in memory of Theodore Antoniou) — Released by Naxos Music Company, Athens, Greece
Autumn (based on a poem by Forugh Farokhzad) — Published by Zang Records, California, USA
Samat — Published by Sheed Records, New York, USA
2020
Noise à Noise 20.2 — Published by Noise Record Label, Tehran, Iran
Spectrum Vol. 1 — Released by Phasma Music Company, Athens, Greece
Aakati — Released by Nous Records, London, England
Kashkool — Published by Zang Records, California, USA
2019
Two Minutes — Released by Phasma Music Company, Athens, Greece
2017
Featured in Sunset in the Woodland (compilation album by Reza Korurian) — Published by Yaravah Group, Tehran, Iran