Little a fantasy(For Clarinet, Piano And Harmonica) 2006
The short work I wrote, Based on the shortness of the theme
Between clarinet ,Talking to the piano And then the harmonica.
Year of Creation: 2006 last edition AND Recorded: Summer 2014
Clarinet: Soheil Peyghambary Harmonica: Mohamad Athari
Piano: Soheil Shirangi At Saba Studio, Tehran, Iran: Soundcloud Link
Piano pianissimo No.2(For Violin & Viola And Piano) 2008
To make this effect I got help from the name of a small collection.
So that the musician can have a good understanding of the work Decide to play the feeling of work Consider himself, With a general explanation of the mildest state And I tried to narrate the space, I used tonality as much as I thought it might be useful.
Year of Creation: 2008 Rewrite: 2013 last edition and Recorded : 2015
Violin and Viola: Masud Noruzi Piano: Soheil Shirangi
At Saba Studio, Tehran, Iran: Spotify Link
Kooran(For Selected Ensemble) 2009
For String Ensemble, Flute and Piano And Vibraphone
This work was a narrative of me, For small groups
About a period of my life Using contemporary music elements.
Year of Creation: Winter 2009 last edition and Recorded : Summer 2015
Flute and Alto Flute: Meysam Ghodrati
Bass Flute: Hossein Ebadolahi Piano: Arman Nassiri
Violin And Viola: Pedram Faryousefi Cello: Atena Eshtiaghi
At Saba Studio, Tehran , Iran: Spotify Link
Tracing an event(For Flute And Accordion) 2011
Dialogue in theater can create a space That even in many cases, It goes beyond the main subject of the narrative And especially when it comes to talking, That was my goal in this work To be able to create a serious atmosphere.
Year of Creation: Winter 2011 last edition: 2019
The Lost Memories No.1(For Trio Flute, Oboe And Bassoon) 2012
In our age Remembering the good old days has become our habit, It was the same for me And in this work, looking for a lost day, I was in my childhood memories.
Year of Creation: Winter 2012 last edition: 2019
Karma(For Duet Flute) 2012
A conversation that conveys a meaning,Each actor says his own sentence,Sometimes sentences change, And it seems that the purpose of the narrative has changed, But in fact it is karma
Year of Creation: Spring 2012 last edition: 2018
Imazh(Sonate For Cello & Piano) 2013
In My Composition Anything that gives an idea for a graphic narrative I use it, The image that is narrated with music. I did the same thing in this work, But in the form of a sonata Which is always the most popular form.
Year of Creation: Fall 2013 Recorded: Summer 2015
Piano: Arman Nassiri Cello: Yasaman Koozegar
At Saba Studio, Tehran, Iran: Spotify Link
Kashkool(For Brass Quintet) 2014
To: The most popular person Contemporary History of Iran
Gholamreza Takhti(1930-1968)
This is my narrative work, that day Takhti Came to the Tehran street for helping to People affected by the earthquake (Buen Zahran 1962)
January 2014 … Last Edit and recorded: 2020 July
Publishmed by Zang Records 2020 August
Trumpet I, II: Hassan Farahani French Horn: Farshad Sheykhi
Trombone: Hossein Sharifi Tuba: Babak Mirdadian
Record At Sorna Music Studio, Tehran, Iran: Spotify Link
String Quartet No.1(Rondo In D Minor) 2014
I wrote this work in a simple three-part Rondo form, Each section has its own space And at the same time they can be associated with each other, I can explain the form space with tempo modes: Part I (A) Allegro, Part II (B) Adajio And the third (C) Moderato.
Year Of Creation: Summer 2014 Last Edit And Recorded: Fall 2015
Performed By: Zasta Ensemble: Violin I: Pedram Faryousefi
Violin II: Paniz Faryousefi Viola: Parisa Pirzadeh
Cello: Atena Eshtiaghi Recorded At Saba Studio, Tehran, Iran: Spotify Link
String Quartet No.2 2014
I tried in this work Using the language of music, Write a simple story for a string quartet, With elements of contemporary music.
Year Of Creation: Fall 2014
Last Edit And Recorded: Fall 2015
Performed By: Zasta Ensemble Violin I: Pedram Faryousefi
Violin II: Paniz Faryousefi Viola: Parisa Pirzadeh
Cello: Atena Eshtiaghi Recorded At Saba Studio, Tehran, Iran: Spotify Link
Soliloquy For Oboe And Guitar 2016
In this work I tried to use, The technique used in theater
For a short story Each instrument says its own sentences And leaves the scene alone for the audience and …
Year Of Creation: Spring 2016
Risoluto(For Two Flute And Cello) 2016
I tried in this work Introduce a kind of music form with three instruments, And I design the question And ask short questions for them.
Year Of Creation: Summer 2016
Doubt(For Trio. Flute, Clarinet And Piano) 2016
In this work three movements ,I came up with a show idea That musicians move forward with each movement Are added to the performance stage, Incomplete sentences, sometimes repetitive emotions, storytelling process and …
They all help my sometimes kepticism.
Year Of Creation: Fall 2016
String Quartet No.3 2017
In this work I tried also Continuation My String Quartet Also Coherent music of my experiences With my narration And inspired by One of the artists Early Iranian Contemporary: Aref Ghazvini (1882-1934)
Year Of Creation: Fall 2017
Suspension No.3(For Trio Piano, Violin And Cello) 2018
Suspension Is many things: People’s feeling, Their memories, Their nostalgia, Their hopes and aspirations and finaly The silence
Silence that is nothing and everything, I sometimes hear And sometimes I don’t hear, they are tangible, Unexplainable And I try to articulate them And unforgettable, They can’t be erased from my memory I live with them, It can be any sound.
Year of Creation: April 2018
Trauma(For Accordion And Two Cellos) 2018
Written For Icon Arts Festival At Romanian.
A path that reminds you of distress …
Year Of Creation: June 2018 Spotify Link
Cello I: Ella Bokor Cello II: Mircea Marian Accordion: Fernando Mihalache
Performed December 5th, 2018, By Icon Arts Trio, At Thalia State Philharmonic Hall (Transilvania- Romanian): Soundcloud Link
Derealization(For Duet Marimba And Bass Clarinet) 2019
In This Work Inspired by a personality disorder, In this work I tried to use contemporary music techniques Show the conversation of two people that changes from time to time.
Year Of Creation: May 2019
This work was made in collaboration with the Divergent Festival. It was performed by the Transient Canvas in June 2019 at the Cambridge Conservatory in Massachusetts, USA.
Bass clarinet: Amy Advocat Marimba: Matt Sharrock
SAMAT(For Violin & Cello) 2019
In this work I tried in my own language and contemporary music And of course the atmosphere of Iranian music, Have a story Rumi on this sense of humanity.
Year Of Creation: December 2019