Little a fantasy(For Clarinet, Piano And Harmonica) 2006

The short work I wrote, Based on the shortness of the theme

Between clarinet ,Talking to the piano And then the harmonica.

Year of Creation: 2006  last edition AND Recorded: Summer 2014

Clarinet: Soheil Peyghambary  Harmonica: Mohamad Athari

Piano: Soheil Shirangi At Saba Studio, Tehran, Iran: Soundcloud Link

 

Piano pianissimo No.2(For Violin & Viola And Piano) 2008

To make this effect I got help from the name of a small collection.

So that the musician can have a good understanding of the work Decide to play the feeling of work Consider himself, With a general explanation of the mildest state And I tried to narrate the space, I used tonality as much as I thought it might be useful.

Year of Creation:  2008     Rewrite: 2013   last edition and Recorded : 2015

Violin and Viola: Masud Noruzi   Piano: Soheil Shirangi

At Saba Studio, Tehran, Iran: Spotify Link

 

Kooran(For Selected Ensemble) 2009

For String Ensemble, Flute and Piano And Vibraphone

This work was a narrative of me, For small groups

About a period of my life Using contemporary music elements.

Year of Creation:  Winter 2009     last edition and Recorded : Summer 2015

Flute and Alto Flute: Meysam Ghodrati

Bass Flute: Hossein Ebadolahi  Piano: Arman Nassiri

Violin And Viola: Pedram Faryousefi  Cello: Atena Eshtiaghi

At Saba Studio, Tehran , Iran: Spotify Link

 

Tracing an event(For Flute And Accordion) 2011

Dialogue in theater can create a space That even in many cases, It goes beyond the main subject of the narrative And especially when it comes to talking, That was my goal in this work To be able to create a serious atmosphere.

Year of Creation:  Winter 2011     last edition: 2019

 

The Lost Memories No.1(For Trio Flute, Oboe And Bassoon) 2012

In our age Remembering the good old days has become our habit, It was the same for me And in this work, looking for a lost day, I was in my childhood memories.

Year of Creation:  Winter 2012    last edition: 2019

 

Karma(For Duet Flute) 2012

A conversation that conveys a meaning,Each actor says his own sentence,Sometimes sentences change, And it seems that the purpose of the narrative has changed, But in fact it is karma

Year of Creation:  Spring 2012    last edition: 2018

 

Imazh(Sonate For Cello & Piano) 2013        

In My Composition Anything that gives an idea for a graphic narrative I use it, The image that is narrated with music. I did the same thing in this work, But in the form of a sonata Which is always the most popular form.

Year of Creation: Fall 2013     Recorded: Summer 2015

Piano: Arman Nassiri  Cello: Yasaman Koozegar

At Saba Studio, Tehran, Iran: Spotify Link

               

Kashkool(For Brass Quintet) 2014

To: The most popular person Contemporary History of Iran

Gholamreza Takhti(1930-1968)

This is my narrative work, that day Takhti Came to the Tehran street for helping to People affected by the earthquake (Buen Zahran 1962)

January 2014 … Last Edit and recorded: 2020 July

Publishmed by Zang Records 2020 August

Trumpet I, II: Hassan Farahani   French Horn: Farshad Sheykhi

Trombone: Hossein Sharifi   Tuba: Babak Mirdadian

Record At Sorna Music Studio, Tehran, Iran: Spotify Link

 

String Quartet No.1(Rondo In D Minor) 2014

I wrote this work in a simple three-part Rondo form, Each section has its own space And at the same time they can be associated with each other, I can explain the form space with tempo modes: Part I (A) Allegro, Part II (B) Adajio And the third (C) Moderato.

Year Of Creation: Summer 2014 Last Edit And Recorded: Fall 2015

Performed By: Zasta Ensemble: Violin I: Pedram Faryousefi 

Violin II: Paniz Faryousefi   Viola: Parisa Pirzadeh   

Cello: Atena Eshtiaghi   Recorded At Saba Studio, Tehran, Iran: Spotify Link

 

String Quartet No.2 2014

I tried in this work Using the language of music, Write a simple story for a string quartet, With elements of contemporary music.

Year Of Creation: Fall 2014

Last Edit And Recorded: Fall 2015

Performed By: Zasta Ensemble Violin I: Pedram Faryousefi

Violin II: Paniz Faryousefi Viola: Parisa Pirzadeh

Cello: Atena Eshtiaghi  Recorded At Saba Studio, Tehran, Iran: Spotify Link

 

Soliloquy For Oboe And Guitar 2016

In this work I tried to use, The technique used in theater

For a short story Each instrument says its own sentences And leaves the scene alone for the audience and …

Year Of Creation: Spring 2016

 

Risoluto(For Two Flute And Cello) 2016

I tried in this work Introduce a kind of music form with three instruments, And I design the question And ask short questions for them.

Year Of Creation: Summer 2016

 

Doubt(For Trio. Flute, Clarinet And Piano) 2016

In this work three movements ,I came up with a show idea That musicians move forward with each movement Are added to the performance stage, Incomplete sentences, sometimes repetitive emotions, storytelling process and …

They all help my sometimes kepticism.

Year Of Creation: Fall 2016

 

String Quartet No.3 2017

In this work I tried also Continuation My String Quartet Also Coherent music of my experiences With my narration And inspired by One of the artists Early Iranian Contemporary: Aref Ghazvini (1882-1934)

Year Of Creation: Fall 2017

 

Suspension No.3(For Trio Piano, Violin And Cello) 2018

Suspension Is many things: People’s feeling, Their memories, Their nostalgia, Their hopes and aspirations and finaly The silence

Silence that is nothing and everything, I sometimes hear And sometimes I don’t hear, they are tangible, Unexplainable And I try to articulate them And unforgettable, They can’t be erased from my memory I live with them, It can be any sound.

Year of Creation: April 2018

 

Trauma(For Accordion And Two Cellos) 2018

Written For Icon Arts Festival At Romanian.

A path that reminds you of distress …

Year Of Creation: June 2018  Spotify Link

Cello I: Ella Bokor  Cello II: Mircea Marian Accordion:  Fernando Mihalache

Performed December 5^th, 2018, By Icon Arts Trio, At Thalia State Philharmonic Hall (Transilvania- Romanian): Soundcloud Link

 

Derealization(For Duet Marimba And Bass Clarinet) 2019

In This Work Inspired by a personality disorder, In this work I tried to use contemporary music techniques Show the conversation of two people that changes from time to time.

Year Of Creation: May 2019

This work was made in collaboration with the Divergent Festival. It was performed by the Transient Canvas in June 2019 at the Cambridge Conservatory in Massachusetts, USA.

Bass clarinet: Amy Advocat   Marimba: Matt Sharrock

 

SAMAT(For Violin & Cello) 2019

In this work I tried in my own language and contemporary music And of course the atmosphere of Iranian music, Have a story Rumi on this sense of humanity.

Year Of Creation: December 2019