INDEMNITY(For 2 Accordion And Fixed Media)

This work is a reflection of Hafez’s GHAZAL in my world…

Year Of Creation: January 2018   Last Edit: June 2020

21 June 2019 Performed by Dream House Ensemble in the 4th Tehran Contemporary Music Festival in Hafez Hall, Tehran, Iran.

Accordion I: Parsa Sotudeh   Accordion II: Armin Mohamadi.

 

Short whisper(For Solo Bass Flute)

In this short work I tried To emphasize On the sense of narration of the bass flute, With simple techniques And the question that becomes less and less.

Year Of Creation: October 2020

Bass flute: Lisa Cella.

AT Fifteen-Minutes-of-Fame featuring Lisa Cella presented on The Low Flutes Project.

March 27, 2021, Concert Hall at the University of Baltimore, Maryland, United States.

 

 

Piano pianissimo No.1(Solo Piano No.2)

To make this effect I got help from the name of a small collection.

So that the musician can have a good understanding of the work Decide to play the feeling of work Consider himself, With a general explanation of the mildest state And I tried to narrate the space, I used tonality as much as I thought it might be useful.

Year of Creation: Winter 2008     Rewrite: 2013   last edition and Recorded : 2015

And August 2018 By Edmund Hartzell

Piano: Arman Nassiri  At Saba Studio, Tehran, Iran.

 

The Remarks No.1(For solo Flute)

(A set of four short sections for the flute family)

From The Remarks(Flute Collection): 2015

The collection that, I tried it for each solo instrument that main character of each one is preserved. After technique issues that can be important Details for me, because helps me I’ll be a better narrator.

Year Of Creation: Jun 2015 ,  Performed By: Meysam Ghodraty

Last Edit And Recorded: December 2020  At: Pezhman Studio,Tehran, Iran

 

The Faulty Sequence No.2(For Solo Harp)

My effort in the process, It has been a trend Which does not expand.

Year Of Creation: May 2015 Performed By Olivia Jageurs / March 2019.

 

The Remarks(2015) (A set of four short sections for the flute family)

The collection that, I tried it for each solo instrument that main character of each one is preserved. After technique issues that can be important Details for me, because helps me I’ll be a better narrator.

The Remarks No.3(For solo Bass Flute)

Year Of Creation: August 2015 Performed By Daniela Mars / 2018 February

 

Suspension No.2(For Electronic Voices &  Prepared Piano)

My temporary incentives, My unanswered questions, my hesitation at times and… Made me To write a collection of this suspension.Suspension of Many things: My feeling , your feeling folk ‘s emotions, A dialogue of my ideas.

Year of Creation: Spring / 2013

In 2017, this work won the second place in the Tehran International Electronic Composing Competition.

Performed: September, 2017: Da Hall At the end of the second Tehran International Electronics Festival, Tehran, Iran.

April 2018: And Off  Borders In Thessaloniki Greece.

June, 2018: Body, light, sound festival  In Luigi Cherubini Conservatory Florence, Italy.

November 2018:  In Sprengel Museum In Hannover Germany.

 

Suspension No.1 (For Accordion And Fixed Media)

Suspension Is many things: People’s feeling, Their memories, Their nostalgia, Their hopes and aspirations and finally The silence. Silence that is nothing and everything, I sometimes hear And sometimes I don’t hear, they are tangible, Unexplainable And I try to articulate them And unforgettable, They can’t be erased from my memory I live with them, It can be any sound, And Azan sound: Religious Voice Since my childhood Imprinted In my mind.

To An important part of the Iranian people’s memories: Rahim Moazen Zadeh

Year of Creation:  2012    Recorded: 2020  Accordion: Benoit Ray