Suspension No.2(For Electronic Voices & Prepared Piano) 2013
My temporary incentives, My unanswered questions, my hesitation at times and… Made me To write a collection of this suspension. Suspension of Many things: My feeling , your feeling folk ‘s emotions, A dialogue of my ideas.
Year of Creation: Spring / 2013 Soundcloud Link
In 2017, this work won the second place in the Tehran International Electronic Composing Competition: Link
Performed: September, 2017: Da Hall At the end of the second Tehran International Electronics Festival, Tehran, Iran.
April 2018: And Off Borders In Thessaloniki Greece.
June, 2018: Body, light, sound festival In Luigi Cherubini Conservatory Florence, Italy.
November 2018: In Sprengel Museum In Hannover Germany. Link
The Faulty Sequence No.1(For Electroacoustic) 2015
My effort in the process, It has been a trend Which does not expand.
Year Of Creation: April 2015 Soundcloud Link
Performed in the third Tehran Contemporary Music Festival 2018/ April
Homeland(For Fixed Media) 2017
Ideas from Our mother’s house In our minds And part of the identity And our nature.
Year Of Creation: February 2017 Soundcloud Link
July 2019, Performed in the Avini Hall of the University of Fine Arts, University of Tehran, at the end of the third Tehran International Electronic Music Festival.
Performed in the virtual section at the 7th annual research conference on contemporary composition at the University of North Georgia, The conference will be held from October 27 to 29 and will focus on works created in the last 15 years. Virtual Sessions
The Hypothesis(Three-part Collection For Electronics): 2017
My ideas should not be certain Form And music, It can be an ideology , a structure, A text. How to differentiate Make music? This is a very common issue In our era, But is it all right to distinguish? Especially when it comes to contemporary music. From Debussy To Cage, Stockhausen And… Understanding the dialectic of art, How is the world around us? Is the theory of Hegel’s great philosopher answerable For our time? How is the Zeitgeist interpreted? How about art and especially music.
Year Of Creation: Spring 2017
The Hypothesis No.1(For Fixed Media)
The narrator: Parsa Sotudeh Year Of Creation: April 2017
January 2019 Performed in the second official performance of Dream House ensemble in Niavaran Cultural Center. Soundcloud Link
The Hypothesis No.2(For Fixed Media)
Year Of Creation: May 2017 Spotify Link
Jun 2020 Released in Spectrum Album by Phasma Company, Athens, Greece.
Selected in among four selected works Iranian composers. Link
And September 25 & 26, 2020 will be performed at the 38th International Conference of the World Confederation of Electroacoustic Music، Online from the Polish Academy of Music in Krakow
and 12 October 2020 Performed in Radio Kapital(Poland)
The Hypothesis No.3(For Multi Chanel Electronic)
Year Of Creation: June 2017 Soundcloud Link
September 2018 Performed at the Simn Festival at the Curitiba Theater in Brazil.
Summer(Fixed Media) 2019
Basic musical ideas are always the most important part of the creative process for me. It was the same in the “After the Fall” project, But it was one of those sweet experiences, Because I was away from my path even for a moment But I was indifferent, And the narrative part was more, A narrative of four chapters, And the atmosphere that the poet created was tangible to me, Or maybe in my own words.
Year Of Creation: October and November 2019 Soundcloud Link
This work was commissioned by Afarinesh Gallery And in March 2020 and June 2020 in the first event of the experimental condensation project was implemented in Isfahan, Iran
Politics-Aesthetics No. IV(Electronic nariting Album) 2024
Published by Noise Noise a Noise and post orientalism music In Berlin, Germany, The Album with collaboration Ehsan Saboohi and nariting of Hana Mesgari. Spotify Link